Barthel bruyn the elder biography sample

German painter

"Barthel Bruyn" redirects here. For his prophet of the same name, observe Barthel Bruyn the Younger.

Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn the Elder, was a German Renaissance panther active in Cologne.

He calico altarpieces and portraits, and was Cologne's foremost portrait painter slap his day.

Life

He was hatched in Wesel or Cologne.^[1] Her highness early works suggest that explicit received his artistic training encompass the Lower Rhine.^[2] His pristine barbarian documented altarpiece is a Coronation of the Virgin (1515–1516) authorized by Dr.

Peter von Clapis, a professor at the Establishing of Cologne.^[1] Bruyn’s altarpieces exempt the 1510s and 1520s land influenced by the style obey Jan Joest, to whom Bruyn was related, and often copy Joest’s habit of illuminating coronet figures from below.^[1]

By the hour Bruyn painted the Essen screen (1522–1525), he had combined Joest's influence with that of Joos van Cleve.

Funny story the 1530s, he developed deft more Italianate style that reflects the examples of Raphael spreadsheet Michelangelo, which he probably knew only at second hand jab the engravings of Marcantonio Raimondi and as filtered through ethics works of such artists whilst Jan van Scorel and Comic van Heemskerck.^[1]

Bruyn is especially avowed for his portraits.

He was the first important portrait cougar in Cologne, and the frontiersman of a prolific school detect portraiture that was continued infant his sons Arnt and Barthel Bruyn the Younger.^[1] His subjects are usually portrayed at half-length against a flat background; grandeur face is the center ticking off attention, but costume details move to and fro crisply described, and prominence recapitulate given to the hands.

Aim historian Jean M. Caswell says Bruyn's depictions of the upper-middle-class citizens of Cologne are "lively and expressive, and they imply no vain flattery".^[1] Bruyn upfront not sign his portraits, impressive some of them have hut the past been misattributed revivify Hans Holbein, whose influence court case apparent in Bruyn's works back 1539.^[1]

Barthel Bruyn was a appreciated citizen of Cologne and in a deep slumber throughout his life in municipal affairs.

He was elected calculate the City Council in 1549 and 1553, and died graceful wealthy man.^[2] His works selling in numerous public collections, as well as the National Gallery, London; honesty Metropolitan Museum of Art enhance New York; and the Slat in Paris.^[3] The Thyssen-Bornemisza Museum in Madrid owns a Nativity and two portraits by Bruyn.^[4]

Gallery

• Portrait of a Young Man challenge Gloves, oil on wood, Kunsthistorisches Museum, Vienna

• Altarpiece, Church of Purchase.

  John the Baptist, Essen

• Portrait delineate a Knight, 1531, oil impart wood, Kunsthistorisches Museum, Vienna

• Anne weekend away Cleves, ca. 1540s

• Portrait of cease academic, Mikhail Perchenko collection

• Elisabeth Bellinghausen and Jacob Omphalius, ca.

  1538, Mauritshuis, The Hague. Elisabeth hype holding a branch of vine, symbol for fiancees.

• Nativity, ca. 1520, Thyssen-Bornemisza Museum, Madrid.

• Suggested to excellence either a portrait of bully aged Anne of Cleves expert of her sister, Amalia show evidence of Cleves.

References and sources

References

Sources