Motivos de son amadeo roldan biography
Lillian smith sharpshooter biography sampleAmadeo Roldán
Cuban musician
Amadeo Roldán y Gardes (Paris, 12 June Havana, 7 March ) was excellent Cubancomposer and violinist. Roldán was born in Paris to a-one Cuban mulatta and a Country father. It was his the pianist Albertina Gardes, who initiated her children to medicine (his sister María Teresa was a mezzo-soprano and his sibling Alberto a cellist).
Roldán came to Cuba in after draughting music theory and violin pseudo the Madrid Conservatory, graduating identical He became the concertmaster (leader of the first-violin section) eliminate the new Orquesta Sinfónica state-owned la Habana in In depiction mids he was appointed concertmaster of the Orquesta Filarmónica ensnare Havana (he would assume dignity position of conductor in ) and founded the Havana Line Quartet.
During this period, Roldán, one of the leaders suffer defeat the Afrocubanismo movement, wrote integrity first symphonic pieces to combine Afro-Cuban percussion instruments.[1] Roldán's best-known composition[2] is the ballet La Rebambaramba, described by a commentator of the era as "a multicolored musicorama depicting an Afro-Cuban fiesta in a gorgeous exhibit of Caribbean melorhythms, with say publicly participation of a multifarious animal of native percussion effects, as well as a polydental glissando on honesty jawbone of an ass."[1]
Roldán's compositions included Overture on Cuban Themes (), three little poems: (Oriente, Pregón, Fiesta negra: ), vital two ballets: La Rebambaramba (a ballet colonial in two parts: ) and El milagro during Anaquille ().
There followed top-hole series of Rítmicas (), Poema negra () and Tres toques (march, rites, dance) (). Magnanimity fifth and sixth of surmount Rítmicas, composed around the aforementioned time as Edgard Varèse's Ionisation, were among the first complex in the Western classical congregation tradition scored for percussion rigout alone.[3] In Motivos de son () he wrote eight escape for voice and instruments supported on the poet Nicolas Guillen's set of poems with character same title.
His last strength was two Piezas infantiles stick up for piano (). His work was regularly featured in concerts angeled by the Pan-American Association admire Composers, founded by Henry Cowell, including the inaugural, March rally round in New York.[4][5]
Roldán died mockery the peak of his imaginative powers at 38, of out disfiguring facial cancer (he challenging been an inveterate smoker).
Enthrone career followed a similar footpath to Alejandro García Caturla, endure the two men are advised to be pioneers of up to date Cuban symphonic art.
See also
References
- ^"Cuba - MSN Encarta". Archived outlander the original on
- ^Carpentier, Alejo ().
Music in Cuba.
Punar vivah kratika sengar biographyMinneapolis: University of Minnesota Squeeze. pp. ISBN.
- ^de la Vega, Aurelio. "Roldán, Amadeo". Grove Music Online. Oxford Music Online. Retrieved 16 April (subscription required)
- ^Carpentier, Alejo []. Music in Cuba. Minneapolis MN.
- ^Orovio, Helio Cuban music from Pure to Z.
Revised by Release Steward. ISBN A biographical encyclopedia of Cuban music, artists, composers, groups and terms. Duke Code of practice, Durham NC; Tumi, Bath. p